Miss Gardner completed the third edition shortly before her death in 1946. The fourth was prepared in 1959 by Professor Sumner Crosby and his colleagues at Yale University. Our fifth edition was published in 1970 and the sixth in 1975. We were led to prepare this seventh edition by the popularity of those earlier editions and by suggestions we received for further improvement.
In this edition, in addition to emendations made throughout the book, the chapters on Medieval, Renaissance, and Baroque art have been thoroughly revised and expanded. The chapters on the eighteenth, nineteenth, and twentieth centuries have been enlarged to accommodate matter from new studies and interpretations and are presented, we believe, with improved continuity and organization. There are, of course, corresponding increases in the number of illustrations. A new feature of considerable importance is the integration of color illustrations so that they are no longer bound in isolated groups., distant from their citations, but appear in sequence among the black-and-white illustrations. (From preface)
Miss Gardner completed the third edition shortly before her death in 1946. The fourth was prepared in 1959 by Professor Sumner Crosby and his colleagues at Yale University. Our fifth edition was published in 1970 and the sixth in 1975. We were led to prepare this seventh edition by the popularity of those earlier editions and by suggestions we received for further improvement.
In this edition, in addition to emendations made throughout the book, the chapters on Medieval, Renaissance, and Baroque art have been thoroughly revised and expanded. The chapters on the eighteenth, nineteenth, and twentieth centuries have been enlarged to accommodate matter from new studies and interpretations and are presented, we believe, with improved continuity and organization. There are, of course, corresponding increases in the number of illustrations. A new feature of considerable importance is the integration of color illustrations so that they are no longer bound in isolated groups., distant from their citations, but appear in sequence among the black-and-white illustrations. (From preface)