#smrgKİTABEVİ Forty Days and Forty Nights : Weddings, Festivals and Pageantry in the Ottoman Empire - 2025
Editör:
M. Sabri Koz
Kondisyon:
Yeni
Sunuş / Önsöz / Sonsöz / Giriş:
Dizi Adı:
Sanat
ISBN-10:
9750864827
Kargoya Teslim Süresi:
4&6
Hazırlayan:
Cilt:
Amerikan Cilt
Boyut:
22x27
Sayfa Sayısı:
376
Basım Yeri:
İstanbul
Baskı:
1
Basım Tarihi:
2025
Çeviren:
Feyza Howell
Kapak Türü:
Karton Kapak
Kağıt Türü:
Enso
Dili:
İngilizce
Kategori:
indirimli
975,00
Havale/EFT ile:
936,10
1199236859
623930
https://www.simurgkitabevi.com/forty-days-and-forty-nights-weddings-festivals-and-pageantry-in-the-ottoman-empire-2025
Forty Days and Forty Nights : Weddings, Festivals and Pageantry in the Ottoman Empire - 2025 #smrgKİTABEVİ
975.00
Having dedicated his whole life to the study of virtually every type of Turkish performing art, Metin And found a wealth of material in Ottoman festivals. From the 1950s onwards, his constantly evolving research gave its fruits in articles and books; had he lived a little longer, long enough to reflect his latest discoveries and findings, he would have transformed this topic into a true ‘festival ground'.
Forty Days and Forty Nights is not only a great book title, but it also refers to fairy tales, which are the pinnacles of oral culture. For forty days and forty nights, protagonists struggle on journeys, their suffering, trials and tribulations destined to remain hidden; for forty days and forty nights they celebrate weddings whose details are left to the listener's imagination. Festivals enhanced by stories told as though they had taken place but yesterday, as though nothing had moved, not even by an inch, also relate the true story of a civilisation.
Metin And regards Ottoman festivals as an intersection of the arts; Forty Days and Forty Nights also contains his earlier, constructive suggestions for art historians. It was he who first ventured onto this path and persevered on it; his extraordinary efforts and intuition guide the reader as the trail he blazed invites further study.
Forty Days and Forty Nights is not only a great book title, but it also refers to fairy tales, which are the pinnacles of oral culture. For forty days and forty nights, protagonists struggle on journeys, their suffering, trials and tribulations destined to remain hidden; for forty days and forty nights they celebrate weddings whose details are left to the listener's imagination. Festivals enhanced by stories told as though they had taken place but yesterday, as though nothing had moved, not even by an inch, also relate the true story of a civilisation.
Metin And regards Ottoman festivals as an intersection of the arts; Forty Days and Forty Nights also contains his earlier, constructive suggestions for art historians. It was he who first ventured onto this path and persevered on it; his extraordinary efforts and intuition guide the reader as the trail he blazed invites further study.
Having dedicated his whole life to the study of virtually every type of Turkish performing art, Metin And found a wealth of material in Ottoman festivals. From the 1950s onwards, his constantly evolving research gave its fruits in articles and books; had he lived a little longer, long enough to reflect his latest discoveries and findings, he would have transformed this topic into a true ‘festival ground'.
Forty Days and Forty Nights is not only a great book title, but it also refers to fairy tales, which are the pinnacles of oral culture. For forty days and forty nights, protagonists struggle on journeys, their suffering, trials and tribulations destined to remain hidden; for forty days and forty nights they celebrate weddings whose details are left to the listener's imagination. Festivals enhanced by stories told as though they had taken place but yesterday, as though nothing had moved, not even by an inch, also relate the true story of a civilisation.
Metin And regards Ottoman festivals as an intersection of the arts; Forty Days and Forty Nights also contains his earlier, constructive suggestions for art historians. It was he who first ventured onto this path and persevered on it; his extraordinary efforts and intuition guide the reader as the trail he blazed invites further study.
Forty Days and Forty Nights is not only a great book title, but it also refers to fairy tales, which are the pinnacles of oral culture. For forty days and forty nights, protagonists struggle on journeys, their suffering, trials and tribulations destined to remain hidden; for forty days and forty nights they celebrate weddings whose details are left to the listener's imagination. Festivals enhanced by stories told as though they had taken place but yesterday, as though nothing had moved, not even by an inch, also relate the true story of a civilisation.
Metin And regards Ottoman festivals as an intersection of the arts; Forty Days and Forty Nights also contains his earlier, constructive suggestions for art historians. It was he who first ventured onto this path and persevered on it; his extraordinary efforts and intuition guide the reader as the trail he blazed invites further study.
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