#smrgSAHAF The Zoo Story, The Death of Bessie Smith, The Sandbox -

Stok Kodu:
1199073168
Boyut:
14x21
Sayfa Sayısı:
158 s.
Basım Yeri:
New York
Baskı:
1
Basım Tarihi:
1960
Kapak Türü:
Ciltli
Kağıt Türü:
1. Hamur
Dili:
İngilizce
Kategori:
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1199073168
459059
The Zoo Story, The Death of Bessie Smith, The Sandbox -
The Zoo Story, The Death of Bessie Smith, The Sandbox - #smrgSAHAF
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dward Franklin Albee III ( /'??lbi?/ awl-bee; born March 12, 1928) is an American playwright who is best known for The Zoo Story (1958), The Sandbox (1959), Who's Afraid of Virginia Woolf? (1962), and a rewrite of the screenplay for the unsuccessful musical version of Capote's Breakfast at Tiffany's (1966). His works are considered well-crafted, often unsympathetic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Jean Genet, Samuel Beckett, and Eugène Ionesco. Younger American playwrights, such as Paula Vogel, credit Albee's daring mix of theatricalism and biting dialogue with helping to reinvent the post-war American theatre in the early 1960s. Albee continues to experiment in new works, such as The Goat: or, Who Is Sylvia?
dward Franklin Albee III ( /'??lbi?/ awl-bee; born March 12, 1928) is an American playwright who is best known for The Zoo Story (1958), The Sandbox (1959), Who's Afraid of Virginia Woolf? (1962), and a rewrite of the screenplay for the unsuccessful musical version of Capote's Breakfast at Tiffany's (1966). His works are considered well-crafted, often unsympathetic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Jean Genet, Samuel Beckett, and Eugène Ionesco. Younger American playwrights, such as Paula Vogel, credit Albee's daring mix of theatricalism and biting dialogue with helping to reinvent the post-war American theatre in the early 1960s. Albee continues to experiment in new works, such as The Goat: or, Who Is Sylvia?
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